Aegyptiaca Romana: Nilotic Scenes and the Roman View of by Miguel John Versluys
By Miguel John Versluys
This archaeological examine investigates the that means of the Egyptian and egyptianising artefacts which were preserved from the Roman international in numerous ways.
Its aspect of departure is a close examine at the so-called Nilotic scenes or Nilotic landscapes. The e-book offers a entire and illustrated catalogue of the style that used to be well known all over the Mediterranean from the Hellenistic interval to the Christian period in addition to a contextualisation and interpretation.
Drawing at the conclusions hence reached the entire staff of Aegyptiaca Romana is to that end studied. in keeping with a normal evaluate of this fabric within the Roman international and, additionally, a case-study of the Aegyptiaca from the town of Rome different meanings of this cultural phenomenon are mapped. including different Egyptian deities well known within the Roman global, the goddess Isis performs a major position during this discussion.
Aegyptiaca Romana, between them the Nilotic scenes, are a part of the mirrored image of the Roman angle in the direction of and recommendations on Egypt, Egyptian tradition and the East. The concluding a part of the publication illustrates and attempts to give an explanation for this Roman discourse on Egypt.
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Extra info for Aegyptiaca Romana: Nilotic Scenes and the Roman View of Egypt
Bragantini, C. Morselli, F. Taglietti, Necropoli di Porto. Isola Sacra (1996) 177 for the quotation. 97 Klementa 1993, 48 for the quotation. 98 Cappel 1994, for both quotations see page 96. All in all this is the only (published) monograph on pygmee scenes with a reliable catalogue and interesting remarks on radiance and iconography. Unfortunately it is only seldomly used; I only came to know the book in the last phase of my research. For reasons of convenience and completeness I decided to include the relevant examples of Cappel's catalogue in the one here presented (part II).
Sometimes a context has preserved more than one Nilotic scene. 40 PART II: CORPUS FIGURARUM NILOTICARUM If it roughly concerns the same kind of (archaeological) material from the same period, these are discussed as one catalogue number. , concerns a mosaic from the period around 25 Be and a wallpainting from c. AD 70 with a totally different character, the testimonies from the same context are split up into two catalogue numbers. Nilotic scenes are defined in this study as illustrations of the (flooded) Nile and the banks of the river with the flora, fauna, structures, and activities of the population, and scenes which intend to show this or which contain a combination of specific, associative elements referring to this.
In reality it concerns a relatively modest sanctuary with a small podium temple in a courtyard, in the shadow of the adjacent theatre. However, the reconstruction by Desprez shows a grand temple terrain with a huge temple while the theatre is hardly visible. Moreover, not a simple sacrificial ceremony is taking place, but ecstatically dancing women are depicted, while a large number of different kinds of sacrificial animals are brought in. Most suggestive however is probably the representation of the sky.