An Introduction to Old Norse (2nd Edition) by E. V. Gordon, A. R. Taylor

By E. V. Gordon, A. R. Taylor

The 1st variation of this common paintings was once released in 1927 and has been reprinted numerous instances. This moment variation has been revised and reset and the saga Hrafnkels saga freysgooa is now integrated in its entirety. The paintings is now to be had for the 1st time in paperback.



"This is a superlative textbook for the instructing of previous Icelandic (language and literature)."--R. Mark Scowscroft, Catholic college of America

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Extra resources for An Introduction to Old Norse (2nd Edition)

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Musique, échange et théologie dans l’Hymne à Hermès I“, in P. Brulé et Ch. Vendriès (éds), Chanter les dieux. Musique et religion dans l’Antiquité grecque et romaine (Rennes 2001) 19-36. , From Delos to Delphi. A Literary Study of the Homeric Hymn to Apollo (Leiden 1986). , „Apollon: de l’arc à la lyre“, in P. Brulé et Ch. Vendriès (éds), Chanter les deiux. Musique et religion dans l’Antiquité grecque et romaine (Rennes 2001) 59-96. , Études sur les Hymnes orphiques (Leiden – Boston – Köln 2001).

Auch wenn die Homerforscher in dieser Phase vor allem auf Lords theoretische Äußerungen reagierten, finden sich Hinweise auf die bescheidene ästhetische Qualität der von Lord publizierten Lieder. 311 Verse) mit Text und Übersetzung publizierte,16 waren die Reaktionen von Seiten der Homerforscher jedoch erstaunlich gering. Man kann das damit erklären, dass die oralistische Homerforschung sich zu diesem Zeitpunkt längst 14 Das Konzept des diktierenden Homer in Analogie zu den besten Sängern Parrys (und Međedović) ist erstmals bei Lord (1953) formuliert.

Apollon le couteau à la main. Une approche expérimentale du polythéisme grec (Paris 1998). , The Homeric Hymn to Aphrodite. Introduction, Text, and Commentary (Oxford 2008). , Wege und Formen des frühgriechischen Denkens. Literarische und philosophiegeschichtliche Studien (München 1960). Furley W. D. / Bremer, J. , Greek Hymns. Selected Cult Songs from the Archaic to the Hellenistic period (Tübingen 2001). , “Symbolic action in the Homeric Hymns: the theme of recognition”, Classical Antiquity 21 (2002) 5-39.

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